El edificio robusto, casi distante, proporciona una base sorprendentemente ideal para la nueva sala filarmónica.
All images are © each office/photographer mentioned. Herzog & de Meuron’s Elbphilharmonie concert hall in Hamburg, Germany has opened after 16 years of planning and construction, which was held back by financial and legal issues. Image 1 of 30 from gallery of Elbphilharmonie Hamburg / Herzog & de Meuron. So much has already been written about Hamburg ’s undeniably excellent Elbphilharmonie, which formally opened in January but has been publicly accessible, in part, since November. Los almacenes portuarios del siglo XIX fueron diseñados para reflejar el vocabulario de las fachadas históricas de la ciudad: sus ventanas, cimientos, aguilones y diversos elementos decorativos se ajustan al estilo arquitectónico de la época. La tipología arquitectónica de la filarmónica ha sufrido una reformulación arquitectónica que es excepcionalmente radical en su énfasis sin precedentes en la proximidad entre artista y público, casi como un estadio de fútbol.Nuestro interés en el almacén radica no sólo en su potencial estructural no explotado, sino también en su arquitectura. Sigue a tus autores, oficinas, usuarios favoritos y personaliza tu stream. In order to make the new Philharmonic a genuinely public attraction, it is imperative to provide not only attractive architecture but also an attractive mix of urban uses.
Seen from the River Elbe, they were meant to blend in with the city’s skyline despite the fact that they were uninhabited storehouses that neither required nor invited the presence of light, air and sun.But not the Kaispeicher A: it is a heavy, massive brick building like many other warehouses in the The glass façade, consisting in part of curved panels, some of them carved open, transforms the new building, perched on top of the old one, into a gigantic, iridescent crystal, whose appearance keeps changing as it catches the reflections of the sky, the water and the city.The bottom of the superstructure also has an expressive dynamic. It seems to be part of the landscape and is not yet really part of the city, which has now finally pushed forward to this location. Surgió un espacio que pone en primer plano a los oyentes y a los músicos a tal punto que, juntos, en realidad representan la arquitectura. Jacques Herzog, Pierre de Meuron, Ascan Mergenthaler (Socio a cargo), David Koch (Socio a cargo)Stefan Goeddertz (Asociado, Arquitecto del proyecto), Stephan Wedrich (Asociado), Christian Riemenschneider (Asociado), Carsten Happel (Asociado), Kai Strehlke (Asociado), Jan-Christoph Lindert Head Biographies), Stephan Achermann, Sabine Althaber, Christiane Anding, Thomas Arnhardt, Petra Arnold, Johannes Beinhauer, Uta Beissert, Lina Belling, Andreas Benischke, Inga Benkendorf, Christine Binswanger, Johannes Bregel, Jean-Claude Cadalbert, Sergio Cobos Álvarez, Massimo Corradi, Guillaume Delemazure, Annika Delorette, Fabian Dieterle, Annette Donat, Patrick Ehrhardt, Carmen Eichenberger, Stephanie Eickelmann, Magdalena Agata Falska, Daniel Fernández, Hans Focketyn, Bernhard Forthaus, Andreas Fries, Asko Fromm, Catherine Gay Menzel, Gelsomini, Ulrich Grenz, Jan Grosch, Jana Grundmann, Hendrik Gruss, Luís Guzmán Grossberger, Christian Hahn, Yvonne Hahn, Naghmeh Haji Beik, David Hammer Michael Hansmeyer, Nikolai Happ, Bernd Heidlindemann, Jutta Heinze, Magdalena Hellmann, Anne-Kathrin Hellermann, Mirko Hirsch, Volker Helm, Lars Höffgen, Robert Hösl (socio), Philip Hogrebe, Ulrike Horn, Michael Iking, Ina Jansen, Nils Jarre , Jürgen Johner (Asociado), Leweni Kalentzi, Andreas Kimmel, Anja Klein, Frank Klimek, Julia Kniess, Uwe Klintworth, Alexander Kolbinger, Benjamin Koren, Tomas Kraus, Jonas Kreis, Nicole Lambrich, Jens Lehmann, Matthias Lehmann, Monika Lietz, Felix Morczinek, Philipp Löbcke, Tim Lüdtke, Lil Klaus Marten, Jan Maasjosthusmann, Petrina Meier, Götz Menzel, Alexander Meyer, Simone Meyer, Henning Michelsen, Alexander Montero Herberth, Felix Morczinek , Jana Münsterteicher, Christiane Netz, Monika Niggemeyer, Mónica Ors Romagosa, Argel Padilla Figueroa, Benedikt Pedde, Sebastian Pellatz, Malte Petersen, Jorge Picas de Carvalho, Philipp Poppe, Alrun Porkert, Yanbin Qian, Robin Quaas, Leila Reese, Constance von Rège, Chantal Reichenbach, Ina Riemann, Nina Rittmeier, Dimitra Riza, Miquel Rodríguez (Asociado), Christoph Röttinger, Guido Roth, Henning Rothfuss, Peter Scherz, Sabine Schilling, Chasper Schmidlin, Alexandra Schmitz, Martin Schneider, Leo Schneidewind, Kurt Schwarz, Henning Severmann, Nadine Stecklina, Markus Stern, Stephanie Stratmann, Ulf Sturm, Stefano Tagliacarne, Anke Thestorf, Katharina Thielmann, Kerstin Treiber, Florian Tschacher, Chih-Bin Tseng, Jan Ulrich, Florian Voigt, Maximilian Vomhof, Christoph Weber, Lise Wendler, Philipp Wetzel, Julie Wieërs, Julia Wildfeuer, Boris Wolf, Patrick Yong, Kai Zang, Xiang Zhou, Bettina Zimmermann, Christian Zöllner y Marco ZürnFreie und Hansestadt Hamburgo, Alemania; representado por ReGe Hamburg Project-Realisierungsgesellschaft mbH, Hamburgo, AlemaniaConsortium PlanerArge Elbphilharmonie Hamburg: - Herzog & de Meuron GmbH, Hamburg, Germany - H+P Planungsgesellschaft mbH & Co. KG, Aachen, Germany - Hochtief Solutions AG, Essen, GermanyNagata Acoustics Inc., Los Angeles / Tokio, EEUU / Japón
All images are © each office/photographer mentioned. Herzog & de Meuron’s Elbphilharmonie concert hall in Hamburg, Germany has opened after 16 years of planning and construction, which was held back by financial and legal issues. Image 1 of 30 from gallery of Elbphilharmonie Hamburg / Herzog & de Meuron. So much has already been written about Hamburg ’s undeniably excellent Elbphilharmonie, which formally opened in January but has been publicly accessible, in part, since November. Los almacenes portuarios del siglo XIX fueron diseñados para reflejar el vocabulario de las fachadas históricas de la ciudad: sus ventanas, cimientos, aguilones y diversos elementos decorativos se ajustan al estilo arquitectónico de la época. La tipología arquitectónica de la filarmónica ha sufrido una reformulación arquitectónica que es excepcionalmente radical en su énfasis sin precedentes en la proximidad entre artista y público, casi como un estadio de fútbol.Nuestro interés en el almacén radica no sólo en su potencial estructural no explotado, sino también en su arquitectura. Sigue a tus autores, oficinas, usuarios favoritos y personaliza tu stream. In order to make the new Philharmonic a genuinely public attraction, it is imperative to provide not only attractive architecture but also an attractive mix of urban uses.
Seen from the River Elbe, they were meant to blend in with the city’s skyline despite the fact that they were uninhabited storehouses that neither required nor invited the presence of light, air and sun.But not the Kaispeicher A: it is a heavy, massive brick building like many other warehouses in the The glass façade, consisting in part of curved panels, some of them carved open, transforms the new building, perched on top of the old one, into a gigantic, iridescent crystal, whose appearance keeps changing as it catches the reflections of the sky, the water and the city.The bottom of the superstructure also has an expressive dynamic. It seems to be part of the landscape and is not yet really part of the city, which has now finally pushed forward to this location. Surgió un espacio que pone en primer plano a los oyentes y a los músicos a tal punto que, juntos, en realidad representan la arquitectura. Jacques Herzog, Pierre de Meuron, Ascan Mergenthaler (Socio a cargo), David Koch (Socio a cargo)Stefan Goeddertz (Asociado, Arquitecto del proyecto), Stephan Wedrich (Asociado), Christian Riemenschneider (Asociado), Carsten Happel (Asociado), Kai Strehlke (Asociado), Jan-Christoph Lindert Head Biographies), Stephan Achermann, Sabine Althaber, Christiane Anding, Thomas Arnhardt, Petra Arnold, Johannes Beinhauer, Uta Beissert, Lina Belling, Andreas Benischke, Inga Benkendorf, Christine Binswanger, Johannes Bregel, Jean-Claude Cadalbert, Sergio Cobos Álvarez, Massimo Corradi, Guillaume Delemazure, Annika Delorette, Fabian Dieterle, Annette Donat, Patrick Ehrhardt, Carmen Eichenberger, Stephanie Eickelmann, Magdalena Agata Falska, Daniel Fernández, Hans Focketyn, Bernhard Forthaus, Andreas Fries, Asko Fromm, Catherine Gay Menzel, Gelsomini, Ulrich Grenz, Jan Grosch, Jana Grundmann, Hendrik Gruss, Luís Guzmán Grossberger, Christian Hahn, Yvonne Hahn, Naghmeh Haji Beik, David Hammer Michael Hansmeyer, Nikolai Happ, Bernd Heidlindemann, Jutta Heinze, Magdalena Hellmann, Anne-Kathrin Hellermann, Mirko Hirsch, Volker Helm, Lars Höffgen, Robert Hösl (socio), Philip Hogrebe, Ulrike Horn, Michael Iking, Ina Jansen, Nils Jarre , Jürgen Johner (Asociado), Leweni Kalentzi, Andreas Kimmel, Anja Klein, Frank Klimek, Julia Kniess, Uwe Klintworth, Alexander Kolbinger, Benjamin Koren, Tomas Kraus, Jonas Kreis, Nicole Lambrich, Jens Lehmann, Matthias Lehmann, Monika Lietz, Felix Morczinek, Philipp Löbcke, Tim Lüdtke, Lil Klaus Marten, Jan Maasjosthusmann, Petrina Meier, Götz Menzel, Alexander Meyer, Simone Meyer, Henning Michelsen, Alexander Montero Herberth, Felix Morczinek , Jana Münsterteicher, Christiane Netz, Monika Niggemeyer, Mónica Ors Romagosa, Argel Padilla Figueroa, Benedikt Pedde, Sebastian Pellatz, Malte Petersen, Jorge Picas de Carvalho, Philipp Poppe, Alrun Porkert, Yanbin Qian, Robin Quaas, Leila Reese, Constance von Rège, Chantal Reichenbach, Ina Riemann, Nina Rittmeier, Dimitra Riza, Miquel Rodríguez (Asociado), Christoph Röttinger, Guido Roth, Henning Rothfuss, Peter Scherz, Sabine Schilling, Chasper Schmidlin, Alexandra Schmitz, Martin Schneider, Leo Schneidewind, Kurt Schwarz, Henning Severmann, Nadine Stecklina, Markus Stern, Stephanie Stratmann, Ulf Sturm, Stefano Tagliacarne, Anke Thestorf, Katharina Thielmann, Kerstin Treiber, Florian Tschacher, Chih-Bin Tseng, Jan Ulrich, Florian Voigt, Maximilian Vomhof, Christoph Weber, Lise Wendler, Philipp Wetzel, Julie Wieërs, Julia Wildfeuer, Boris Wolf, Patrick Yong, Kai Zang, Xiang Zhou, Bettina Zimmermann, Christian Zöllner y Marco ZürnFreie und Hansestadt Hamburgo, Alemania; representado por ReGe Hamburg Project-Realisierungsgesellschaft mbH, Hamburgo, AlemaniaConsortium PlanerArge Elbphilharmonie Hamburg: - Herzog & de Meuron GmbH, Hamburg, Germany - H+P Planungsgesellschaft mbH & Co. KG, Aachen, Germany - Hochtief Solutions AG, Essen, GermanyNagata Acoustics Inc., Los Angeles / Tokio, EEUU / Japón